萨姆
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罗伯·托马斯
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告别了青春时代作为私家侦探的冲动与飞扬,美丽的维罗妮卡·玛斯(克里斯汀·贝尔 Kristen Bell 饰)如今已完成大学学业,考取了律师资格证书,准备准备在繁华都市纽约大展才华。而就在此关键时刻,她得知流行歌手——也是她的高中同学——邦妮·德维尔的死讯,而多年未见的罗根·埃克斯(杰森·多灵 Jason Dohring 饰)竟然作为邦妮的男友有着重大嫌疑。以此为契机,维罗妮卡返回阔别已久的家乡,父女亲朋相见自然格外暖心,而当年张扬散漫的罗根此时已穿上军装,变成仪表堂堂的英俊男人。 交织着复杂的情愫,维罗妮卡重操侦探旧业,此次归乡之旅将带给她怎样不平凡的体验……
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马克·莱温
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和所有小学五年纪的小男生一样,住在纽约的10岁男孩Gabe(乔什·哈切森 Josh Hutcherson 饰)正遇到自己的小问题。首先,父母正在闹离婚,却因为美国法律不得不依然同住在一个屋檐下。其次,虽然之前Gabe总觉得同龄的女孩是这个世界上最可怕的生物之一,认为只要被她们触碰到身上机会长虱子,甚至相信只要被女孩碰了就会有倒霉的事情发生。但命运弄人,在参加空手道训练课时,他竟然坠入爱河,对分配给他的搭档兼他的同班同学Rosemary(查理·雷 Charlie Ray 饰)产生了好感。 Gabe是否能够挽回父母的感情?他又会因为喜欢Rosemary做出什么疯狂的举动呢?
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约翰·达尔
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太平洋战争初期,美军将兵力投入欧洲战场,无力挽回菲律宾战事,导致一万名美军、六万名菲军在巴丹半岛被俘。日军一直残酷对待这些战俘,军部更于1944年一月决定屠杀俘虏,这部电影,讲述的就是发生在44年一月四天中的故事。 游骑兵上尉普林斯分属幕西中校的队伍,他们接受了在麦克阿瑟将军北上过程中营救某战俘营里500名美军的任务,由于日军对待战俘毫不留情,此次行动必须高度隐秘。同一时间,战俘营中的少校吉布森(约瑟夫•费因斯 Joseph Fiennes 饰)正艰难的为生存和获取外界信息而努力,虽然当地有护士玛格丽特等人想法设法为战俘提供帮助,但缺药的状况一直存在。为执行屠杀命令,宪兵军官长井接管了战俘营,而战俘营外,游骑兵战士们经过秘密行军终于抵达了目的地,营救成败,很快就要揭晓……
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萨姆·门德斯
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20世纪90年代初,中东战火一触即发,著名的“沙漠风暴”正在酝酿之中。20岁的小伙子安东尼·斯沃福德(杰克·吉伦哈尔 Jake Gyllenhaal 饰)出身于军人世家,他的祖父父亲、叔父是历次战场上走下来的英雄。安东尼从小耳濡目染,立志成为一名在战场上立下莫大功勋的光荣军人。经过无数残酷训练,他终于被派往海军陆战队第七陆战远征旅第二营,正式投身中东战场。安东尼踌躇满志,却发现战争的残酷远远出乎他的意料。在此期间,家乡的女友不忠出轨,恐惧、空虚、压抑则时刻折磨他的神经,战争的真正意义更令他陷入沉思与矛盾之中…… 本片根据前美国海军陆战队队员安东尼·斯沃福德(Anthony Swofford)2003年的畅销书改编,并荣获2005年圣地亚哥影评人协会特别奖。
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格拉·巴布鲁阿尼
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为给身患重病的父亲交付医药费,电工文斯(萨姆·赖利 Sam Riley饰)不得已卖掉了房子。一次偶然的机会,文斯在他修理的房间里得到房主的一封神秘信件和一张不知道终点的火车票。一面是房主的离奇意外死亡和完全未知的危险旅程,一面是一笔足够改写人生的巨额财富,文斯最终还是决 定踏上这次神秘旅程。然而当他抵达隐蔽的目的地之后,等待他的却是一场无法全身而退的疯狂杀人游戏。 本片翻拍自2005年法国犯罪惊悚影片《百万杀人游戏》(13 Tzameti),依旧由原作导演兼编剧的格拉·巴布鲁阿尼执导与编剧。萨姆·赖利、米基·洛克、杰森·斯坦森、雷·温斯顿等多位硬汉同台演绎这场生死博弈。
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詹姆斯·卡梅隆
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哈里(阿诺•施瓦辛格 Arnold Schwarzenegger 饰)是美国FBI的高级特工,他正在奉命调查一起跨国核武器走私案件。出于安全考虑,哈里连结婚15年的妻子海伦(杰米•李•柯蒂斯 Jamie Lee Curtis 饰)都没有告诉他的真实身份。 海伦是一名普通白领,平凡的生活已令她心生厌倦。一次,汽车商西蒙假扮FBI特工,溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。 这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出,并化妆成法国人正欲调戏海伦时,被恐怖分子突然袭击,两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天,挫败恐怖分子阴谋?
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大卫·阿耶
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缉毒小队“破坏者”在队长约翰·沃顿(阿诺·施瓦辛格 Arnold Schwarzenegger 饰)的率领下闯入臭名昭著的贩毒团伙奥加尔萨联盟的据点,经过一轮激烈的交锋,小队一名成员战死,而现场丢失的一千万美元现金也让“破坏者”的所有成员遭到了上层组织的调查。未过多久,高层指示约翰和成员们各就各位,重新开始行动。谁知未过多久,小队成员接二连三死于非命。似乎奥加尔萨为了丢失的巨款恼羞成怒,正展开疯狂的报复。 联邦探员卡洛琳(奥莉维亚·威廉姆斯 Olivia Williams 饰)受命调查此时,她和约翰联合展开行动,结果却发现前方的道路更加凶险,令人难以置信的黑幕慢慢呈现眼前……
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萨姆·佩金帕
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The Deadly Companions is a 1961 Western film directed by Sam Peckinpah and starring Maureen O'Hara, Brian Keith, Steve Cochran, and Chill Wills. Based on the novel of the same name by A. S. Fleischman, the film is about an ex-army officer who accidentally kills a woman's son, and tries to make up for it by escorting the funeral procession through dangerous Indian territory. The Deadly Companions was Sam Peckinpah's motion picture directorial debut.
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萨姆·佩金帕
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Mike Locken is one of the principal members of a group of freelance spies. A significant portion of their work is for the C.I.A. and while on a case for them, one of his friends turns on him and shoots him in the elbow and knee. His assignment, to protect someone, goes down in flames. He is nearly crippled, but with braces is able to again become mobile. For revenge as much as anything else, Mike goes after his ex-friend.
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乔纳森·里贝斯曼
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结束了与北海巨妖的战争,英雄珀修斯(萨姆·沃辛顿 Sam Worthington 饰)与儿子赫利俄斯(约翰·贝尔 John Bell 饰)在一座小村庄过着平静的生活。但是奥林匹亚的战火从未停歇,以宙斯(连姆•尼森 Liam Neeson 饰)为首的众神与泰坦巨人进行着旷日持久的惨烈战争,甚至连被宙斯囚禁良久的三神(天神宙斯、海神波塞冬、冥王哈迪斯)之父——克洛诺斯也即将复活。战争的天平渐渐向泰坦巨人一方倾斜,在冥王哈迪斯(拉尔夫·费因斯 Ralph Fiennes 饰)的策划下,宙斯误入冥界,神力尽失,遭到囚禁。为了驱逐黑暗,将光明带回大地,珀修斯重披铠甲,与一众英雄前往冥界营救宙斯,诸神的战火迎来了最关键的时刻…… 本片为2010年3D电影《诸神之战》的续集。
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丹尼尔·巴尔兹
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一场可怕的车祸让克莱尔(詹妮弗·安妮斯顿 Jennifer Aniston 饰)不仅容貌尽毁,还失去了挚爱的儿子,之后,深陷于绝望和痛苦中无法自拔的克莱尔患上了慢性疼痛症。为了同疾病做斗争,克莱尔来到了慢性疼痛俱乐部,通过和病友们的相互交流与鼓励,获得生活下去的信心和希望。 妮娜(安娜·肯德里克 Anna Kendrick 饰)是俱乐部中的一员,某日,她自杀身亡的消息震惊了克莱尔。克莱尔想方设法寻求妮娜自杀的真相,最后甚至陷入了同妮娜对话的幻觉之中无法自拔,与此同时,妮娜的丈夫罗伊(萨姆·沃辛顿 Sam Worthington 饰)亦出现在了克莱尔的身旁,将克莱尔卷入了一个又一个漩涡之中。
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埃里克·冯·施特罗海姆
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Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
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萨姆·佩金帕
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一场意外让达克(史蒂夫·麦奎因 Steve McQueen 饰)即将面临漫长而又痛苦的牢狱之灾,为了让丈夫免于受难,达克的妻子卡罗尔(艾丽·麦古奥 Ali MacGraw 饰)不惜牺牲色相,贿赂监狱的上层官员。果不其然,达克获得了特别假释,与此同时,警长拜伦(本·约翰逊 Ben Johnson 饰)告诉达克,作为交换,他必须帮他一个“小忙”——抢劫一间银行! 迫于拜伦的淫威,达克只能就范,然而,他并不知道的事,拜伦的内心里早已经判了自己死刑,他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪(艾尔·勒提埃里 Al Lettieri 饰)的男子,他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下,达克能否顺利完成任务呢?






























