Se
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贝特朗·波尼洛
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Addressed to her 18-year-old daughter, the film delves into the patchwork psyche of today's young girls, connected to an infinite flow of ubiquitous Youtube tutorials (a formidable “expert” in just about everything and everything. anything, played by Julia Faure), Zoom discussions between girlfriends where we try to decide who is the coolest between Ted Bundy and Jeffrey Dahmer, dollhouses where Barbie and Ken discuss for long minutes on love and its multiple abjections… The film is placed under the auspices of Gilles Deleuze and his conference at La Fémis (“the Dream is a terrible will to power”), which has almost become a pop object in its own right with the internet.
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侯赛因·哈桑
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After surviving a terrifying car crash, a young woman discovers that aggressive, flesh-eating zombies have overtaken the entire area. She must figure out what is happening and why in hopes of escaping her horrifying circumstances.
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克里斯托夫·巴拉蒂
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Marseille, juillet 1905. Le jeune Marcel Pagnol vient d'achever ses études primaires. Dans trois mois, il entrera au « lycée ». Trois mois... une éternité quand on a cet âge. Car voici le temps des vacances, les vraies, les grandes ! Enfant de la ville, ce retour tant attendu à ses chères collines d'Aubagne, celles de « La Gloire de mon père » et « Le Château de ma mère » le transporte de bonheur.
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拉斯提·坎蒂耶夫,达林·斯科特
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当威廉,一个50多岁的笨手笨脚的男人,和布鲁克林,一个6岁的孩子,试图摆脱一个看不见的邪恶,布鲁克林决定告诉威廉四个道德上的,但非常可怕的故事,以分散自己的注意力,从迫在眉睫的危险。第一个故事讲的是一个贪婪的房地产经纪人大卫,他烧毁了一套公寓,把最后剩下的房客布拉德福德一家赶出了他们的家。第二个故事涉及一些兄弟会的男孩,他们发起了一个白人至上的政党,和美国恐怖分子,神经病约翰尼,谁结束了党的暴力。第三个故事围绕着挣扎的歌手,切拉和她的富有的雇主玛丽·巴士底利亚小姐展开,切拉想杀了她,用她的钱来进一步推动她的事业。第四个故事讲的是一个小偷,他杀死了一个受害者,并在罪过后被诅咒。
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让·洛林
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Condemned to see only when the night falls, the abandoned blind sisters with the untraceable past, Louise and Henriette, share a horrible secret. Their days are black, their nights are blue, and their insatiable thirst for warm, bright-red blood compels the orphaned predators to roam the ill-lit streets of Paris in search of unsuspecting victims to sustain their unholy existence on Earth. However, danger lurks everywhere, and the city's sad, memory-laden cemeteries can only provide temporary refuge. Indeed, blood begets blood. Is there an end to the blood-stained sisters' tyranny?
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罗布·赞比
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故事发生在位于伊利诺斯州的哈登菲尔德小镇。臭名昭著的杀人狂迈克尔(泰勒·梅恩 Tyler Mane 饰)终于倒在了少女劳利(丝柯·泰勒-考普顿 Scout Taylor-Compton 饰)的枪下,然而之后他的尸体却神秘的消失了,与此同时,在医院里,出现了一个身份诡异而又神秘的病人,又一场血腥的杀戮即将拉开序幕。 幸运的劳利再一次的从迈克尔的屠刀下死里逃生,可是,巨大的阴影始终笼罩在她的周围,因为她知道,迈克尔一天不死,就总会再度回到她的身边。一晃眼一年过去,万圣节又要来了,与此同时将要举办的,是死难者的纪念会。劳利能够感觉到,一双熟悉的眼睛正在默默的注视着她。
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Tyler Russell
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CYST is an old school monster movie in which an enthusiastic plastic surgeon will stop at nothing to patent his latest cyst-removal machine. What started out as Patricia (Eva Habermann) the nurse’s last day turns into a battle for survival when the doctor’s machine inadvertently turns a patient’s tumour into a cyst-monster that terrorizes the office.
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凯莉·莱卡特
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River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.
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Ryan Zaragoza
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A Mexican-American couple expecting their first child relocate to a migrant farming community in 1970's California. When the wife begins to experience strange symptoms and terrifying visions, she tries to determine if it's related to a legendary curse or something more nefarious.
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亚历山大·索科洛夫
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一个男人走进个黑暗世界,在陵寝般的门廊与棺材似的房间如梦游者行走。有时,声音细琐如飘溜耳际的空气;有时,它们又排山倒海狂怒袭来。胝人杀人,有人牺牲,神在哪里?什么又是这些人的罪恶与惩罚呢?通过精巧的光影控制,这片赭、褐色的世界,几乎打破黑白与彩色的分界,诗样的、冥想的,强调出亚历山大.苏古诺夫别树一帜的实验风格。厚郁的生命省思,毫无意外众多影评人视他为塔科夫斯基接班人的殷望。《呢喃语页》那个无名的"英雄",在某些层面,令人联想到塔科夫斯基的《安德烈鲁布烈夫》。 汉斯-乔钦史拉格评道:本片缓慢、沈思的步调,意不在动作,而是看不见的"内心演出",以及可见的《呢喃语页》。其目的是要让观众深刻地思虑"罪与罚"这个永恒的主题,同时也触及生命中的社会、宗教意义。由此来看,这部电影不仅在刻划"十九世纪俄语文学",更在暗指这个主题和今日俄国的相似性。这是苏古诺夫对他的时代,他的传统,所做的一次联结。






























